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Hand carved bespoke mirrors

Bespoke Gilded Mirrors and Bespoke hand carved mirrors

Brights of Nettlebed have a particular affinity with antique mirrors: Our patrimony stems from Biggs of Maidenhead, an antique dealership established in 1866 and contributors to the publication Queen Anne & Georgian Looking Glasses, by F. Lewis Hinkley. Many of the antique mirrors which passed through Biggs' books are now in Brights' archive, and many designs are based thereon along with mirrors at auctions by Sotheby's and Christies over the past 20 years.

Our bespoke mirrors are made to the highest standard in one of the very few areas of the South Pacific where artisan carvers can still be found - Many have been forced to move into bigger cities to work in factories mass producing cheap reproduction furniture. The tradition of carving in this area of the world is one which is culturally and religiously ingrained. It is thought that the subsequent tradition of gilding may have originated in this area of the world at the start of the 17th Century, when the country was colonised.

An affinity for mirrors

Henry Stamp, director, has a real affinity for mirrors and draws on inspiration from his Great Uncle’s involvement with important antique mirrors, reigniting the passion with a hands on approach (shown right).

Commission A Mirror

For all bespoke work our draughtsman specifies to the required design and size making any necessary alterations or suggestions. This drawing is presented for approval before creation, during which Henry personally oversees a small team of carefully selected artisans to ensure quality and consistency is achieved.

Hand carved bespoke mirror fames

Highly skilled carvers work on the Thomas Johnson mirror overseen by Henry and a family member, Dewi Warsini, whilst another carver takes a break to pick a snack off a nearby tree.

Bespoke gilded mirrors

Above is an original photograph of a Thomas Chippendale mirror alongside our hand carved and water gilded reproduction mirror made to a bespoke size. Mirror commissions can be taken in any size, traditionally hand carved in mahogany, with or without bevelled glass and gilded using oil or water based techniques.

Oil Gilded mirrors

Oil gilding

Completed in the Indonesian workshops, oil gilding is used for general decoration and, with appropriate preparation, can be applied to most building surfaces, both indoors and out. Gold leaf (usually imitation gold leaf known as Dutch metal) is applied onto an oil size brushed onto a painted or prepared gesso surface.  Due to the even matt finish produced by oil gilding, limited variations in the finish can be achieved, however, we do give an element of shading and light distressing to expose the warm red base layer.

Water Gilded mirrors

Water gilding

Water gilding is carried out in our Devon workshops and is a more elaborate process requiring greater preparation, but its elegance and refinement of finish are unsurpassed. A number of coats of gesso are applied to the wood to produce a very fine smooth surface. Any detail lost due to the application of gesso is re-carved along with any further refinements to the design.  

Gilding clay, or bole, is custom mixed by our craftsman and applied in different coloured coats to achieve the desired finish as it will tint the 23¾ carat gold leaf once laid using a water/alcohol mix. Water-gilded pieces can be given contrasting finishes to enhance the design by distressing to expose the bole beneath, or by brightening areas with an agate burnisher.

Using his many years of experience, the gilder tones the finish sympathetically to the design to accentuate the depth and give the piece authentic wear.

Exclusive hand carved giltwood mirrors can be viewed in any of our showrooms or
CLICK HERE TO VIEW ALL MIRRORS IN STOCK

featured: Kirman Vase silk pile carpet

A Kirman 'Vase' design carpet with pure silk pile hand woven on a cotton foundation to 256 knots per square inch.  After a Mid 17th Century South East Persian design carpet featured in "A Survey of Persian Art", Oxford, 1938 by Arthur Upham Pope.

The curving serrated leaves are split into two or three colours, running longitudinally in an arrangement that makes the blossoms completely secondary to the leaves creating an apparently simple yet satisfying design which can be demonstrated to be a prototype for the most popular Persian carpet design of all - the so-called herati pattern.

This Kirman "vase" design was hugely influential in later carpet design and supports the theory that the weavers of Kirman in the 17th Century were the most inventive and influential of all designers in the history of the Persian carpet. Its charm, subtelty and balance combine to create a deceptive simplicity.

A bespoke commission hand woven in: Bhadohi, India
Knot Density: 256 knots per square inch
Materials: Pure silk pile woven on a cotton foundation

The original carpet of the same dimensions realised an auction price of £6.2 million in 2010.

Kirman Vase silk pile carpet
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